My name is Marilou, and I work as a metalsmith. During my time at university, I focused on creating copper vessels, experimenting with various artificial patinas to enhance the metal’s appearance. This exploration deepened my understanding of the techniques and recipes behind creating a wide range of colours and textures on metal surfaces.
I have always been captivated by cultural crafts and the ways in which they evolve over time, crossing boundaries and adapting through different societies. This curiosity led me to ask myself in my final year: What makes regional craft specific to a place? My research journey took me through the transmission of ideas, techniques, and crafts across the globe, with a focus on uncovering their origins by studying ancient artifacts.
It was during this exploration that I discovered how patinas give crafts a unique sense of place. Patinas, which form as a layer of oxide on metal, are influenced by environmental factors—specifically the soil and elements with which the metal comes into contact. When buried, the soil’s composition reacts with the metal, producing distinct colours and textures that are tied to that specific region. This insight became the foundation for my project, where I began crafting vessels using a design that now defines my work.
I create my vessels by cutting out a simple net and folding it into a three-dimensional form. I don’t use solder, glue, or rivets; the copper’s natural malleability is enough to hold the shape together. Over time, I’ve come to love this form for its simplicity, versatility, and elegance. Through my my final project, I’ve expanded these shapes, creating taller and wider versions that continue to evolve.
I look forward to further developing this body of work in the future. If you’re interested in learning more or discussing my process, feel free to reach out.
